Lockdown #6

That was hard! But so much better than even more death and disabling illness. It feels never ending - and so the mind turns to what I am missing - the everyday - the calm wisdom of the ordinary. I tried my hand with Sculpey - polymer clay that fires in a domestic oven so long as you haven't built too big. I guess I could use a kiln... well somehow I had all these wine bottles and I made them into lockdown companions

A bit of a crowd to stop me feeling lonely.

Right to left you can see "Maeve" I'm trying to find wisdom in this? Well good luck with that. Then a piccolo bottle - was that a sparkling white? "Love me Tender" and behind that "Mr. Braun" then poor "Maurice" just clinging to the only comfort left to him. "Wilhelmina" is no nonsense but "Gently" is more compassionate - after the George Harrison song. "Beat" is playing for the extinction rebellion - while we hide is the wild world under attack or fighting back? "I.See.You" - I spent a terrifying night looking at the Burnett Report - and fearing for the calculations that lead us to the knowledge that our actions have consequences - deathly ones. And then "Unity" vertical drinking hah! - whoever heard of it before? Are we divided in our unity or united in our solitude?

I stopped at nine.

I've had molds taken off them. The molding process did a bit of damage so the originals can be displayed but not sold... but the bronze! The bewitching bronze! Not to mention the masterful Mal Wood working the patina!

"Unity" detail

"Unity"
at the foundry

"Unity" in bronze

I'll show the original at Herring Island - and as much bronze as I can manage - it would be great to see the set gracing a winery somewhere...

And while locked down I considered the trials and tribulations my forebears went through - my great grandmother had six children... but only my nana and great aunt went on to have families. With that inheritance came a sprig of rosemary - a cutting of a cutting of a cutting... of the plant by my great grandmother's gate. Great-uncle Herbert wore a sprig in his buttonhole when he went to Gallipoli and never came home. So to honour the past - and something that has been handed down from mother to daughter - I made a stamp for the polymer clay:

The official name for rosemary is
Rosmarinus officinalis - dew of the sea.
I had no qualms about feminising it.

without the mess and in different relationships

The molding process cost some damage...
 I will repair it sometime... but here they are at home

And on show at Herring Island with white and red wine bottles to indicate the process

Today I would have been....

Today I would have been helping set up the title labels for the exhibition at the Carlton Gardens.... but the whole Melbourne International Flower and Garden Show was cancelled a week ago and we have all been running around ever since trying to figure what to do....

Hopefully there will be an online exhibition. It will be hard putting that together since sculpture is a matter of real presence.

A Silver Nutmeg and a Golden Pear (2018)

It's been a bit tricky getting work done lately - car out of action in the airbag saga and not going to be replaced because my dear little Honda is 22 years old... but irreplaceable... I suppose I'll be managing with car share for a while - I'm just nervous of that too while the 'rona is about.

So wash hands everyone - we'll get an online exhibition going and put on a better show on the other side of this world changing crisis.

On the record again

After a long break it's time to update the records.

"Meander" went into the Melbourne International Flower & Garden Show. No sale and no prize but it looked pretty well there.

"Meander" as photographed by Rob Anderson at MIFGS 2019

Lucky for me - and a pretty impressive compliment the work sold later to one of my suppliers... it's gone to a very loving home. Wow!

So on with the show fortified by that bit of confidence raising I worked on the inspiration of Shakespeare's Sonnet 29... and thought of the emotional lift at dawn when the birds go up all together.

The process was prolonged... finding the form and then figuring how to make it... and then transporting the wax in its frame hanging by bits of jute string to the foundry.... Mal Wood is not only skilful but extremely courageous!

And so the work was exhibited at the Association of Sculptors of Victoria Annual and Awards Exhibition - to prize winning acclaim! An honour! Lucky me!

a work in bronze, glass
stainless steel and pebbles

with a signature "rock"

... at break of day arising.....

as photographed by Rob Hay

The Gunnersen Thomas medallion
sculptor Michael Meszaros

Winner of the 2019 Margaret Gunnersen William Hoggan Thomas Award 2019

Herring Island 2019

Herring Island in the middle of the Yarra River is a great place - it appears to be natural bush but the Friends of Herring Island will tell you the long and arduous battle they have had to get things to grow. But it's coming up a treat as pioneer natives give way to something closer to a community. The Association of Sculptors of Victoria runs a show as part of the Herring Island Summer Arts Festival - in 2019 from 12 January to 3 February.
So I put two works in:
"Sun and Moon" and a new one "Meander"

Sun and Moon (image Rob Anderson Photography)

"Meander" is a continuation of the bronze and glass story - and the subject - maybe a lament for the Darling River - was intended to find an echo of sunlight through water and the re-wilding of rivers.

two waxes for the two media under construction

In Mal Wood's Foundry

glass fish out of the kiln

In the exhibition

Where it won the People's Choice Vote

The Next Step

Extending the lessons learned from the Dancing Tree I got hold of some casting wax - much harder and structurally sound - but still the ideas marched ahead of the technique and Mal Wood had heaps of work making sure that the cast work reflected my plans... but it worked!

The Moon

Casting the glass pieces provided its own adventure... it's been a while since I built a mold and one ruptured - the mess is still in the bottom of the kiln - but the next firing with both sun and moon in the kiln together gave me the results. And thanks to James Thompson of Blackwood Crystal for coming up with the right colours... the adventure never stops...

The Sun

The final work was shown at the Association of Sculptors of Victoria Annual and Awards Exhibition. And amazingly my peers awarded me a Highly Commended mention. And of course I got a professional image of the work in all its glory.

"Sun and Moon"

So what is the work about? A bit of nature worship? The fire of creation and the water cycle? To me it is a mini cosmos - the pull of the sun and moon driving the water cycle and linking growth and maybe beauty. Hopefully it will speak to different people in different ways - there is no one perfect art form and no one perfect idea of being. Just this is the way I'm working at the moment.

The work is at Qdos Gallery until the end of October... then - who knows..

Dancing Tree

I owe so many people for their support in making this one... first Yvonne for putting the pressure on to make something for the ASV exhibition at the Flower Show. Then Mal Wood for taking my experimental work and coping with the inherent difficulty of an experiment and the deadline... and getting an amazing result...wow! And - there's more - Andrew Bryant found some timber lying around and turned it into the base for the work...... all that to produce an object from an idea - thank you everyone...

Stage one was the experiment: to see if bronze woven wire can be used to support a wax sculpture for a lost wax casting.

the wax - on  bronze woven wire

That was tricky - the micro crystalline wax I used was too soft... so the work was floppy and had to be cut into multiple pieces - a total learning experience - but now I'm on the journey and can make more complex pieces... I hope.

the first view of the bronze casting after it has been reassembled

There was some holding of breath and then mad exultation when Mal and his team showed me the casting - it danced - it lives!

 Then to find a base to present the work - much thanks to Andrew!

Burning is magic too

Thanks Andrew.... then assembly and patenation - alchemy!

And finally the pear.... it's been a while since I cast work in the kiln... now I can get a reading on how my power consumption goes: 



Two molds went into the kiln on the Saturday afternoon.... I tried to pick the time when there wouldn't be a "curb your power" moment... just made it!

two castings and one to be used on this tree

And then... oh yes David helped me get the work out of the car and set up at the show.

image: Rob Anderson Photography

image: Rob Anderson Photography

and then... thanks everyone.... the work won a second prize in the Garden Section... and it sold! Am I a lucky one!

"Dancing Tree" in its new home - thank you everyone!

Back to Work

The past few months have been interesting domestically - and now the studio and house are surrounded by a sea of mud as drainage issues are addressed. Soon it will be back to normal with only the chooks to stir the place up.

Poseidon (maquette)

Poseidon

Poseidon

I put a bronze casting into the Annual Exhibition - a maquette because I wasn't brave enough to go for a metre high work before resolving the form. It took a bit of effort to make it look as though I'd just thrown it together.

And then to the question of the presentation of art - or the presentation of food.... and so I made "Deconstruct" which would be a pleasant enough piece of Manchurian pear wood - so how do you like it served?

Deconstruct

The exhibition is on at 600 Bourke Street Melbourne until 26 August