Winter Solstice 2012

Raining, cold - hey it's winter! The chooks were let out to run around and enjoy themselves but they weren't interested - back to bed they reckon.

The sky is grey and the moon is new - ready for an awakening  - but ready doesn't mean leaping to it!

But in the front the camellias are in full flower - and I need to get out and sweep some leaves. It's wonderful - there's one tree with two colours of flower - I'm not sure how it does it.

Winter of Discontent

Well the casting took a long time - and an even longer time to summon up the courage to open the mould. In fact it's a pity I didn't open it sooner - there are a few cracks that may not have happened if the glass hadn't sat locked in for so long.

What should have been three irises

Now it's time to get on with other work while I decide what to do - I've learned that:

• casting three complicated waxes at once is too hard
• letting the glass soak at top temperature for longer did work - the mould was full
• leaving thin glass in the mould is silly - the petals on the thinner flower cracked and broke
• having the glass too thin was silly
• I'm going to make this work!

A nearly good enough iris - yet to cut off the pouring lines

The cutting and fitting to the sculpture is going to be a bit of a challenge too.

Moving Right Along

A new job, a new place - life moves on - and the best thing is it's by the beach.

Glass Casting Experiment

"Secret Garden" at the Melbourne International Flower and Garden Show 2006

Flowers are ephemeral, fragile things - I built a sculpture called Secret Garden - I think it was 2006. And as I left the flower show where it was exhibited I slipped on some wet matting and broke one of the irises.

So the sculpture came home and moved house with me and more flowers broke over the course of the years.

So now that there are no more of the original irises it's time to cast some new ones and to experiment with techniques. I decided to try lost wax - foolish perhaps - but nothing ventured, nothing gained.

wax iris

So here is the wax with the copper "stem" threaded to attach it to the sculpture.

I experimented with a sort of shell casting for the investment - a mixture of patching plaster and silica for the registration layer, then building up in layers of refractory mixture and fibreglass then refractory mixture and grog until a mould was made. Then the hours of steaming - not long enough there was wax burning out in the kiln. I used some old glass - reservoir remainders from previous castings for this experiment.

Just out of the mould and still covered in plaster

I should have allowed longer at top temperature too - the glass flowed but didn't fill the petals - but amazingly against the odds it seems to have worked - a rough casting and tricky to clean.... but the spirit of the thing has survived. Time to build three flowers and get the sculpture back together.

Almost clean and ready to cut off the sprues

Here Comes the Bride

enter the bridal party

Fittingly the baby that skied the 1980 Australian Birkebeiner in utero, got married on Howqua saddle on December 10th.

The bridal party was led by dad Peter and sister Kiri. Jasmine rode her trusty mountain bike.

The wedding ceremony was witnessed by family and friends - four generations from two of the couple's grandmothers to the groom's young niece. There were a lot of friends - and everyone had a part to play. Including the weather deities who held off the rain and in the end shone sunshine on the newly weds.



Many present came on mountain bikes, and I'm told the trails at Mounts Buller and Stirling did not disappoint.

Everyone had a part to play. 

And the two grandmothers witnessed the vows and the signing of the documents.

And then off to cycle the mountain - there's no holding these two back.....

except of course for a reception at the Chalet where Sven's mother Merilyn had produced a mountaineering cake.

So long life and happiness to the bride and groom!

Jasmine and Sven Howorth on their wedding day